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IT'S
STILL A GROOVY NATION published in LocalVibe.Com: May 1999 I remember visiting the old Groove Nation shop at the rooftop of Vernida Building on Amorsolo Street some years back. I drooled all over the records. Rack upon rack of rare new wave, funk, indie rock and jazz on vinyl. No place else at that time offered the same collection of music for sale, whether used or brand new. Remember, this was a few years before Music One, a lifetime before Tower Records. This was heaven for the collector of non-mainstream music and fashion, since the shop boasted quite an array of vintage clothes and accessories. It was a bit later when I learned about Consortium--- the progressive roving dance club organized by the Groove Nation collective (a band of eleven self-confessed music junkies) and initiated in 1993. The group decided that it was time to offer an intelligent alternative to the cheesy club music that was being played throughout Manila's nightspots, and came up with a regular "event" that would introduce the dance/DJ culture which the whole world was enjoying but which we hardly knew. They invited foreign DJs to spin their records for Consortium, they corraled venues and spread the word that Manila was invited to their regular out-of-bounds parties. People
called the Consortiums "raves"--- a term not exactly correct
(since the local events hardly approximated the real things happening
in Europe for example), but the term was bandied about so much that it
gained general acceptance. Whatever term you used for it, Consortium was
(and still is) always filled to the rafters with people eager to trip
out to the sounds. The next logical step that Groove Nation took was to offer their music on FM radio. It started out with the more Indie pop/rock oriented "Groove Nation Sessions", and eventually through a team-up with radio station 99.5RT, they put out the "After Hours" weekly two-hour program where Toti, his partners Cocoy Puyat and Edge Pamute and guests could showcase the electronic music from their vast collections. "We Filipinos tend to play it safe. Anything new, we tend to shy away from until everyone is into it," says Toti Dalmacion. Which is why Groove Nation is dedicated to exploring the uncharted territories of style and music. It's about staying one step ahead of what's 'uso'. Even a venture into recording--- with the release of the Rivermaya Remixed album, produced primarily by Groove Nation DJs--- only helped strengthen the group's commitment to pushing for international-quality Philippine dance music. But it seems like times are changing. We ask him about the newest addition to the Groove Nation family the unofficial headquarters and hang-out, Lava Lounge at 2216 Laureano Building in Pasong Tamo, and how it's such a break from the electronic music they've been pushing. Dalmacion
explains, "For me the bottom line is always to be 'different' and
every other place says that but i don't see the difference.especially
with the music. Give them something that's unusual. Much like the monster
that we helped push, 'raves'. Now it's rave this, rave that and that's
why we set this up. It's completely opposite, a break so to speak. It's
all about reinventing yourself and moving into different directions, always
two steps ahead. When you think like this then you have something new
to offer and hopefully people will appreciate it and come back for more."
After all is said and done, the truth remains that Groove Nation collective
are bent on giving us quality alternatives, good options, to what's already
out there saturating our senses. And truly, it's about time. BACK TO TOP |